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Women's
monthly magazines:
Easy Living to Grazia
This page links to profiles of women's monthlies, many of which are
known as glossies or slicks because of their high production values
and upmarket editorial. Some weekly women's magazines - such as Grazia and Riva -
are included because of their attempts to establish themselves as weekly
glossies. The main index page is here.
The titles - past and present - are arranged alphabetically on the
following pages:
Main women's monthly index page.
Easy
Living - note use of false half-cover to promote colour-coded
sections |
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Condé Nast, monthly, March 2005-
First Condé Nast launch since Glamour in 2001 aims
to attract women aged 30-50. Given a marketing budget of £15m
to set it up against NatMags' Good Housekeeping. The target
sales figure was 150,000-200,000; came in with first ABC of 171,038
copies.
Condé
Nast profile
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Elle
- ultimately owned by Lagardère Media, the world's
top magazine publisher

Top
Model - an Elle spin-off with Claudia Schiffer on the cover of
the first issue |
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Hachette Filipacchi UK, monthly, 1985-
Elle in the UK set out to compete with women's magazines
from Condé Nast, Vogue and Tatler, and
National Magazines' Harpers
and Queen. Originally a joint venture between Hachette of
France and Rupert Murdoch's magazine division. Then licensed
by Hachette to Emap. The French group split away in 2002, taking
Elle with it, to form HFUK. Available in A4 and 'handbag'
format.
In the early 1990s, there was a series of Elle Top Model specials
of 100 pages. The first was about Claudia Schiffer.
HFUK
profile
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Essentials -
adopted a cut-down 'convenience' format in 2005. It also adopted
the strange habit of cutting the heads off the cover models |
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IPC Media, monthly, 1988-
IPC aimed this monthly magazine at 'women who are at the beginning
of grown-up life: the serious relationship, the first house and
first child. They are in their late 20s to mid 30s.' It was relaunched
in 2005 with a handbag format, but in December 2006 IPC announced
it was to aim for an older audience and revert to an A4 format.
Back in 1988, it was part of a response to the arrival of German
companies Bauer and G+J in 1987. Essentials was
pitted against Bauer's practical women's monthly Prima.
(Other IPC launches in 1988 being Marie Claire
in partnership with Groupe Marie Claire and Riva). Essentials then
launched in France by Groupe Marie as Avantages.
IPC profile
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Eve
- the BBC was forced to sell the title in 2004
to Haymarket
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Haymarket Publishing, monthly, September 2000
Launched by BBC Magazines against Emap/Hachette's Red and
IPC's revived Nova for maturing women who had outgrown
Cosmo and Elle. 'The original woman' read the
strapline. As a women's monthly magazine, Eve was a slow burner
but was steadily increasing sales when BBC was forced to announce
a sale in late 2004 after political pressure on magazines not not
based on programming. The sector is described as ‘middle
youth’.
In 2005, Haymarket launched evecars.com, a car website for women.
It has also used the brand on events, such as Eve Educates and
the 2006 Eve Style Show, alongside Clotheshow Live.
Haymarket
profile
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Everywoman -
this May 1940 issue featured a 'Budget for the wartime bride'
- costing £23 18 1/2d for the wedding dress and honeymoon outfits,
right down to the undies (of course, you made your own from patterns). |
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Odhams Press, monthly, 1934-1967
The title was originally Everywoman's but this was
shortened to Everywoman in 1940. The title became
Every Woman and Woman’s Fair in the 1950s after
absorbed that magazine. In the mid-1960s, it also took over Modern
Woman before being swallowed itself by Woman at Home.
Everywoman was a monthly bestseller for Odhams over
many years, estimated at 100,000 in the late 1930s and reaching
about 300,000 in the late 1950s (historical
sales table).
A border around the main image of the 1940 issue shown here
listed the coverage: fashion, fiction; knitting; embroidery;
homemaking; beauty; and cookery. At that time, the editorial
offices were in Martlett House, Martlett Court, Covent Garden,
close to the Odhams HQ in Long Acre. The magazine was printed
by Odhams, at St Albans Road, Watford. A service for readers
was the Advertisers Service Bureau at 57 Long Acre, which provided
details of advertisers and samples.
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Family
Circle - in 1966, this women's monthly was only sold in supermarkets |
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IPC Media, monthly, 1964 -
For more than 20 years, Family Circle and Living were
solely sold in supermarkets. Their owner, International Thomson
Publishing (ITP), had a monopoly and they were the only consumer
magazines the company ran. It did, however, produce book spin-offs,
such as Successful Slimming - How to Eat Well and Lose Weight
in 1974 and many others since covering cooking, crochet and sewing.
The magazines were very profitable, with Family Circle selling
more than 580,000 copies by 1984, making it the top seller among
women's monthlies. Research by Associated Newspapers found that
women who bought make-up were most likely to buy Cosmopolitan or Family
Circle.
However, two significant threats appeared. First, mainstream publishers
started to explore distributing their women's monthly magazines
through supermarkets, so ITP held talks with magazine wholesalers
about selling its duo in newsagents. Then, in 1986, German publisher
Gruner and Jahr launched
Prima in the UK. Within a couple of issues, Prima was
claiming to have overtaken Family Circle as the UK's
best-selling women's monthly. ITP denied the claim, saying its
own sales had risen to 585,000, and responded by launching three Family
Circle
spin-offs. Then, in 1988, IPC Magazines owner Reed paid £28m
for the ITP titles.
IPC profile
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Flair -
this issue from November 1967 cost 2/6 for
124 pages. The editor was Emma Powell |
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George Newnes, Tower House, Southampton St, London WC2. 1960?-1972?
Large format (320mm x 240mm), perfect-bound fashion
monthly. Was published as Elegance in
New Zealand and Australia. Newnes became part
of IPC in 1968. One of its fashion editors was Jean Rook, who
later became known as 'First Lady of Fleet Street' and 'First
Bitch of Fleet Street' on the Daily Express. She claimed
to be the highest-paid woman in newspapers and was the inspiration
for Private Eye's Glenda
Slagg.
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Frank -
from its first issue, above, Wagadon's women's monthly set out to
be different
 |
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Wagadon, monthly, October 1997-1999
Editor Tina Gaudoin tried to launch a more intelligent title for
the women's monthlies sector, but the result was seen as too
edgy. An A4 sample was distributed just before the launch with
the Observer. Frank's
closure and the failure of music/film monthly Deluxe (May
1988 launch) was to drain Face and Arena publisher
Wagadon. The company sold out to Emap in early 2000.
Wagadon profile |
Glamour -
with English actress Kate Winslet on the cover for the launch
issue

A later,
more aggressive look
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Condé Nast, monthly, April 2001-
Sector-leading glossy that overtook Cosmopolitan within
a year of launch. Sales carried on rising until first half of
2005. Started trend for handbag-sized A5 women’s magazines.
Founded in US in 1937, where it is Condé Nast's biggest
selling women's monthly (A4 size) with 2.2m circulation. Glamour's
'handbag' size has been credited to the Italian edition launched
in 1994. However, such a size had been popular in Britain for the
first half of the 20th century, for both men's and women's monthlies.
Editor Jo Elvin (who launched B)
Condé
Nast profile
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Good
Housekeeping - Nigella Lawson on the November 2005 cover
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Good Housekeeping
(UK) Back
to top
The National Magazine Company, London. Monthly, March 1922-
Good Housekeeping aims to attract older women (the typical
reader is 51), trading on trust and its expertise. Editorial strategy
is to give readers direct access to the 'best of everything'
with information and advice on food, home and family, fashion,
relationships, health and beauty. Good Housekeeping drew
on its heritage to see off the threat from Easy
Living’s arrival in 2005 with a relaunch under editor-in-chief
Lindsay Nicholson that saw it beat Cosmopolitan for the
number-two sales spot. Good Housekeeping was first published
in 1885 in the US and bought by NatMags parent Hearst in 1911.
National Magazines
profile
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Good
Taste - front cover from the October 1948 issue with 'special
autumn dress features' |
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Weldon's/Amalgamated, London. Monthly, ?1938-1953?
Pocket format women's magazine with fiction (3 short stories by Nora
Burke, Poppy Richard and Madge Harte), fashion and beauty, home and
general articles on cinema, books and readers' opinions and problems. Good
Taste was
one of the most popular women's monthlies in the early 1950s, selling
about 100,000 copies each issue.
The copy shown here (October 1948) ran to 96 pages (including
cover) and cost 9d. The contents
were on page 17. One of the leading features was about the
ballet film The Red Shoes. It was saddle-stitched with
the same paper used for the cover as inside. The cover was colour
only on the outside and there were 11 pages inside featuring
colour or spot colour (used for ads and editorial).
The issue was printed by Sun Printers (London & Watford)
and came out on the 30th of each month.
Amalgamated had its head office at Fleetway House, London
EC4, but the magazine's advertising and editorial base was at
30-32 Southampton St, WC2.
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Good
Life - practical cover with contents for the first issue of
this 1977 Woman's Weekly spin-off |
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IPC magazines, London. monthly, October 1977-?
Editor Mary Dilnot chose a pocket format (6.75x 8.5in; 176 x
216 mm) for this spin-off from Women's Weekly. It
cost 20p for 100 pages.
Articles included: Come Behind The
Scenes: Upstairs At The White House; Fabulous Cloaks Pattern
Offer; Calorie Cooking (4-page pull-out); Loose Cover Making;
Deborah Kerr star profile; Perfect Patchwork;
serial ('Visitors to the spa' by Evelyn Charles); fiction
('A Taste of Sherbert' by Lesley Wilson); as well as the regulars
such as a horoscope, letters, etc.
Unusually for a women's
magazine, Good
Life also
carried an advertisers' index.
IPC profile |
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Emap, weekly, February 2005-
Title hopes to become the weekly Vogue. Posted a first
sales figure of 155,157 copies, beating its target of 150,000
copies. Marketed as 'Britain's first weekly glossy'. Focus is
on fashion, though led by celebrity covers (Jennifer Aniston,
Kate Moss, Nicole Kidman for the first three issues). A massive £16m
launch budget saw 650,000 taster copies being given away in shops
a week before the actual launch. Editor Fiona McIntosh recruited
a heavyweight team that included no less than five former editors
of women's magazines. Approach had been tried by Carlton's Riva in
1988.
Emap
profile |
Women's monthly magazines: Harper's
Bazaar to More!
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Women's
monthly magazines on this page
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