Film, TV and radio magazines
Since the start of the 20th century, the fate of film, TV and radio magazines has been dictated by the development of entertainment technologies. The two world wars also affected the commercial strength of magazines in the UK:
- Theatre and silent movie titles evolved to cover the talkies
- Some magazines were weekly catalogues of films on show in cinemas.
- In the first world war, the British film industry was cut back and movie production from Hollywood began to dominate
- After the Great War, some film magazines were sold in cinemas as well as newsagents
- The Hollywood star system kicked in at this stage and American stars began to dominate the front covers of cinema magazines and some more general consumer titles
- The BBC launched the Radio Times in 1923 after newspapers refused to carry radio listings
- In 1936, the BBC broadcasts its first television programmes but this was brought to a halt because of the war
- The pagination of all magazines was limited in the second world war and it also put a block on the development of colour - red ink ran out in 1943!
- The years after the war saw a boom in film magazines with cinema chains such as Rank, Odeon and ABC, putting out their own magazines. Magazine publishers not only saw greater competition but also lost a distribution channel.
- BBC broadcasts began again in
- 1950: end of paper rationing for magazines
- Competition in the 1950s led to a more pin-up approach among the movie magazines - 'cheesecake' and 'beefcake' poses dominated.
- The advent of commercial television in 1955 increased competition, not only for cinemas, but also for magazine readers' time - and advertising revenue. From the mid-1950s several cinema titles began to cover TV and radio; later in the decade, several titles merged or closed
- Fans launched their own magazines based around cult series such as Thunderbirds and The Avengers
- Commercial publishers jumped on the cult TV bandwagon with titles devoted to soaps and the most popular series
- Radio Times and TV Times dominated the listings sector until forced to sell their copyright information to magazine publishers in the 1980s.
- In the 1980s, magazines were launched dedicated to video and these either fell by the wayside or evolved into DVD magazines
- All the big publishers launched TV listings magazines as cable and satellite stations boomed
- Listings became a staple of many weekly magazines, a trend led by celebrity weekly Heat, as well as newspaper magazine supplements
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20/20 [closed] Back to top April 1989. Time Out. Launch issue: £1.50; 164 pp. Ed: Don Atyeo |
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ABC Film Review [closed]1950- Associated British Cinemas Ltd ABC Film Review was a monthly magazine sold only at the company's cinemas. It dropped the ABC to become Film Review in 1972. As Film Review it survived in print until 2008 and is now Film Review Online website. |
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The Box [closed] Back to topApril/May 1997. Haymarket. Launch issue: £1 (£1.95), 132 pages. Editor: Paul Simpson |
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Cinema Today [closed] Back to top
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Cult TV [closed] Back to top October. Future; £2.75; 84 pages. Editor: Karen Levell |
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Doctor Who Weekly
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Empire Back to top Emap / Bauer, London. Jun/Jul 1989- |
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Fan Fare [closed] Back to topFan Fare Shirley Temple Dimples |
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Film Fun [closed] Back to topComic with front cover strip based around actor Terry Thomas |
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Film Fun [closed] Back to topDespite its title, Film Fun had little to do with films. It was a US pin-up magazine that was also printed in the UK. |
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Film Illustrated Monthly [closed]
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Film Pictorial [closed]
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Film Weekly [closed] Back to top
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Films and Filming [closed]
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Films Illustrated [closed]1971-1982. Monthly 'The magazine that loves movies' |
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Flix [closed] Back to topFlix Marilyn Monroe cover |
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GMTV [closed]GMTV magazine for the morning television programme |
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Hot Dog [closed] Back to topJuly 2000. IFG (I Feel Good) / Highbury / SMD. Launch: £1.50 starter price. Hot Dog was the first launch for IFG, a company founded by Loaded launch editor James Brown. The first cover used spot varnish. Hot Dog aimed to be an irreverent riposte to mass-market film magazines such as Empire and Total Film. Its first ABC sales figure was 39,254, but this halved within a year and by the end of 2005 Hot Dog was selling just 13,659 copies a month. When IFG foundered, the title was bought by Highbury, which sold it on to SMD, a start-up offshoot of adult magazine publisher Remnant Media. |
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Inside Soap [closed]
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Ikon [closed] Back to topEuropean Consumer Pubs, London. Monthly. September 1995-? Chris Roberts was editor of this title, which covered music, film and sport (99p; 132 pp). The first issue carried a plastic 'privilege card' on the cover for discounts on events and products. The main cover line was: 'I'm not homosexual and I'm not heterosexual. I'm...sexual' with Paul Morley interviewing the 'wild one' of REM. Other articles covered: Belly; Alan Shearer; Kevin Costner; Martin Amis; Blur's football focus; Eddie Irvine; Sandra Bullock; Black Grape; Batman; Christina Ricci; and Soul II Soul. |
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Little White Lies Back to topLittle White Lies comes out six times a year and glories in what’s happening in the film world. The Nov/Dec 2009 issue was devoted to Where the Wild Things Are from cult director Spike Jones (Being John Malkovitch). The cover was designed to sit alongside the publisher's sister title Huck, an eextreme sports magazine.
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London Life [closed]London Life described itself as 'a magazine of fiction, films and future fashion'. In the 1920s-1940s, its pages were dominated by images of the stars of stage and screen, with covers relying on publicity stills from the British and Hollywood studios as well as London theatre. In the 1930s, a typical issue of the weekly London Life ran to 28 pages with colour font and back covers and an eight-page centre section of pin-ups printed gravure. It cost 6d. The covers often took black and white publicity stills and either printed them with a second colour to give a 'duotone' effect or coloured parts of the image in to give the impression of a colour image. As an example, a black and white photo of Marlene Dietrich in the film 'Blonde Venus' was coloured and printed for the cover of the 20 Jan 1934 issue. An image of Anglo-German actress Lilian Harvey was on the back cover; Esther Ralston in 'To the Last Man' was on the the inside front cover; the inside back cover was of two scantily-clad women from the show 'Paris Fantaisie' at the Price of Wales' Theatre. Seven other pages were taken up with pin-ups of movie or theatre actresses, including one of Mae West, who, with her 'saucy invitation' to 'Come up and see me some time' had swept London off its feet. In the 1937 edition opposite, Martha Bianco has had her hair and lips coloured using the orange/gold spot colour in the London Life masthead. This colour was similar to that used by Picturegoer for its covers. This image is a cut-out, with the dark triangle behind Bianco added for dramatic effect - a common trick for London Life covers. Another feature of the covers was that every masthead was unique. Today, this would be regarded as breaking a prime rule of branding and recognition but the title was published from 1922 to 1960, a very long run for a British magazine, although issues after the war adopted a pocket format and lacked the ritz of earlier copies.
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Look-in [closed]Look-in 1971 Tony Bastable |
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Movie Classic [closed] Back to topMovie Classic 1932 |
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Neon [closed]Emap, London. January 1997 The first issue, a sample, came boxed with an issue of music monthly Select. As well as the two magazines, the box held:
However, Neon was not mentioned on the box! |
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Number Six [closed] Back to topNumber Six Prisoner fanzine |
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Observer Film Monthly [closed]Observer newspaper, London. Free supplement; 68pp. |
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Photoplay [closed] Back to topArgus Press / Illustrated Publications. Monthly Photoplay was a UK version of a US title founded in 1911. It was launched in 1950. The Photoplay cover here from March 1956 showing the model Sabrina is typical of the pin-up strategy of many film magazines in the mid 1950s. The struggle for the magazine to cope with the changing viewing habits and new entertainment technologies after 1960 is shown in the changing emphasis in the magazine's title:
Photoplay appears to have closed that year. |
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Photoplay Film Monthly |
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Picture Show [closed] Back to topAmalgamated Press. 1919-1960 Picture Show was a weekly that came out each Monday. It took over TV Mirror in 1959 and listed its contents as 'gossip, reviews, pictures, news', but was itself merged into Film Pictorial in 1960. David Reed in The Popular Magazine describes Picture Show: 'Now, these tired publications [Answers, Tit-Bits and Pearson's Weekly] were being pressed by a new breed of specialist weekly. Amalgamated Press's own Picture Show, with its mindless puffs of long forgotten nonentities of the silent screen, was selling 442,819 a week during 1920 ... The cover of Picture Show always featured the head or head andshoulders of a current player of the silver screen. But, for every Mary Pickford, Owen Moore, Mary Miles Minter or Chaplin, there were dozens of people who have left no noticeable cinematic record outside these pages and those of similar publications. Most of the text seemed to have been produced by the publicity departments of the studios, although fictional serials were also used. In fact, the whole publication must have been very cheap to produce, for the profusely used illustrations would also have been free publicity material. Occasionally, the readers were given a little extra when a four-page gravure scetion was inserted into the centre of an edition that featured more portraits and publicity stills.' |
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Picturegoer1913-1960. Odhams Press, Long Acre, WC2. Every Thursday Picturegoer developed from being a catalogue of films showing in cinemas before the Great War to a pin-up weekly in the 1950s, when it styled itself as ‘The national film weekly’. February 1958 saw it take over Disc Parade, as young people - the main cinema goers - paid more attention to pop and rock music. In April 1960, however, Picturegoer was was 'transformed' by Odhams into Date, 'The great new colour weekly for smart young women!' This ran film and disc reviews alongside short stories and fashion. |
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PicturesOdhams Press, Long Acre, WC2. 64pp. 1s Pictures - 'the screen magazine' was a monthly based around retelling the plots of films and the stories behind their making. It was copiously illustrated with stills from the films, always in the form of cut-outs. For example, the July 1922 carried:
The issue also carried adverts for other Odhams titles, including Pan, London Mail, The 20 Story Magazine, Everywoman’s Weekly and Picturegoer, 'the picture theatre newspaper'. Also, the magazine sold film postcards and promoted Odhams Fourpenny popular novels. It was distributed in the British colonies and the US and sold in WH Smith bookshops in Brussels, Ostend and Paris |
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Premiere [closed] Back to top
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Radio TimesLaunched in September 1923. In 1955, Radio Times claimed 'the largest sale of any weekly magazine in the world' with 8,832,579 copies a week, making it the biggest-selling UK magazine until overtaken by Reader's Digest in 1993. In 1960, it was selling about 7m copies compared with almost 4m copies for TV Times. Sales have fallen steadily since, particularly after the two rivals lost their listings monopoly in the late 1980s and several competing titles were launched and many weeklies began to carry TV listings pages. However, Radio Times still claims to be the UK's most profitable magazine. The ABC sales figure for Radio Times in Jan-Jul 2009 was 966,098 copies a week, compared with 1,335,894 for Bauer's TV Quick and 1,272,586 for IPC's What's on TV. |
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Reality TV Now[closed] Back to topReality TV Now - spin-off from IPC's celebrity weekly Now (summer 2006) |
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Showtime Back to topShowtime - 'The new film monthly' featured full colour portraits of pop stars. Covers seemed to alternate between film and pop. The August 1965 issue called itself 'the top film monthly' with a cover image of John Lennon |
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The Sketch Back to topThe Sketch July 1919 - 'The best stage and society paper' |
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Sky Mag Customer magazine Sky Mag for subscribers to the satellite TV company. Launched by Redwood in the late 1980s; then published by John Brown Citrus; and then News International's magazine publishing arm |
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Television Weekly Back to top
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Total FilmFebruary 1997-. Future |
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TV Choice (1982-83) Back to top November 1982 - January 1983. 25p Time Out still pressed ahead with a campaign to publish listings in the face of legal action from the BBC and ITV. A title with the same name was launched in Bauer in 1999. |
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TV EasyIPC tx, London. 7 April 2005-. Launch issue: 30p (35p); 116pp. Ed in chief: Colin Tough; ed: Richard Clark; creative dir: Andy Cowles Launch of A5-sized listings weekly after a sampling exercise brought the total to 8 titles in a sector selling about 5 million copies a week. This magazine is pared down to the listings with no added features. IPC aimed to segment the sector further:
Its ABC sales figure for Jan-Jul 2009 was 201,728 copies a week. |
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TV Guide [closed] Top25 March - December 1989. Murdoch Magazines, London. 40p; 60pp. Ed: Ian Birch A Jason Donovan cover – fronting a feature and a competition to win a part in Australian soap Neighbours - led the first issue. The title was given a £5m advertising budget and the target circulation was set at 350,000-400,000 copies. A 48-page sample title was stitched into the March 18 issue of News of the World's Sunday magazine to promote the launch. Rupert Murdoch's interest in the sector was based on a move in the US and the fact that the UK duopoly for TV listings held by Radio Times and TV Times was to be broken up. In 1988, News International had bought Triangle Publications, which owned TV Guide, the market leader in the US selling 17m copies a week (it was founded in 1952). The company decided to bring the concept to the UK, with managing director Liz Rees-Jones announcing in January 1989 that it intended to launch a title to take advantage of the breaking up of the listings monopoly. This was triggered by a European Commission ruling. Several other publishers, including Emap, were also planning launches - in fact 'a flood' of launches was expected in the sector. Media Week (6 January 1989) reported: 'The Commission's ruling relates to a complaint by Irish publishers Magill, which had tried to publish a weekly TV guide in competition with TV Times and Radio Times - which circulate widely in the Republic. The Commission has ruled that TV and Radio Times' tight rein on schedule information was contrary to Article 86 of the EC Treaty. This ruling will now have to be considered by the UK Government, which is bound by the Treaty.' However, when TV Guide launched it could only carry details of cable and satellite listings - the terrestrial pages were merely summaries of the week's 'essential viewing'. Murdoch had to wait for legislation to break the monopoly held by Radio Times and TV Times. In December, Murdoch raised the guaranteed circulation of TV Guide by 30,000 to 150,000 copies a week. It was selling 190,335 copies a week at the time. However, in the same month, the company signalled a U-turn by deciding to turn the title into a subscriptions-based monthly for satellite TV alone in March 1990 when the duopoly on terrestrial TV listings lifted. A tough economic climate, Rupert Murdoch's debts and the £50,000 charge by Independent Television Publications for its listings put paid to the ambitious plans. In fact, recession set in, interest rates rose and the debt from the US Triangle deal nearly sank Murdoch. He sold off most of his magazine assets in the US and the UK. See TV Choice |
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TV Mirror [closed]Amalgamated Press, Fleetway House, Farringdon St, London EC4. Printed by Sun Printers, London and Watford. 4d. 28pp. Published every Wednesday. TV Mirror launched in late 1951 and took over Disc News in 1957. TV Mirror itself was taken over by Picture Show in 1959. Magazine format 12.5in by 10in (31cm x 25cm). |
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TV Quick TopBauer, March 1991- Attempts to be a women's magazine, celebrity TV magazine and a listings magazine combined. Launched March 1991 (65p in 2003-04). Its ABC sales figure for Jan-Jul 2009 was 144,270 copies a week. Bauer also publishes Total TV Guide and TV Choice
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TV Times Top22 September 1955- The first issue put Patricia Dainton in the mid-morning serial 'Sixpenny Corner' and Lucille Ball in 'I Love Lucy' on the cover. Note cut-out shaped like a TV screen. The cover was in black and white with spot red. For several years TV Times was printed letterpress on callendered newsprint and looked 'cheap and nasty'. However, by 1960 it was selling almost 4m copies a week so switched to gravure at Sun Printing in Watford. Radio Times was selling about 7m at the time. From this time, however, the circulation of both titles declined steadily. By 1966, the covers were in colour. At the start of 2010, the sales of TV Times were 311,307 a week. |
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UncutJune. IPC; £1.50 (special); 164 pages. Editor: Allan Jones |
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Uncut DVD TopNov/Dec 2005-. IPC Media, London. Launch issue: £3.99; 148pp; Ed: Allan Jones; Pub dir: Andrew Sumner IPC Ignite launched a quarterly spin-off from Uncut, its film and music title, to cover films on DVD. The first issue features Clint Eastwood and has a history of The Sweeney. |
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Videos of '86 Back to topNorthern and Shell, London. Spin-off special from Video World Special issue of Video World for the Christmas market by Penthouse publisher Northerrn & Shell. As well as reviews - of videos, VCRs and camcorders - this special issue featured an interview with the creator of Thunderbirds, Captain Scarlet and Terrahawks, Gerry Anderson. |
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What's on TV Back to topIPC Media title selling 1,272,586 copies a week in Jan-Jul 2009.
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Issue 4 of the Time Out spin-off 20/20 featured the first Batman film







Empire's 'breathing' Darth Vader issue









































Mel Gibson on the first cover of Total Film in 1997


George Cole as 'Arthur Daley' in Minder was on the first issue cover of TV First!, the Sunday People's listings supplement. Cole made his name as 'Flash Harry' in the 1950s St Trinian's films - based on the drawings of Ronald Searle in Lilliput - and Daley was a reprisal of that character 








Video World (April 1990) 

