Eat Soup: Loaded
spin-off
Stuff: sold by
Dennis to Haymarket in UK
T3: technology
from Future
Untold: black style
Bizarre: full of
weird pictures
Later: IPC's launch
for older readers
Men's Fitness:
US licence by Mollin
Cream from Bizarre
publisher John Brown
Mondo: Cabal tried
to tempt older men
Deluxe: tried to
leave women off the cover
Ice: high on the
flesh factor
Jack: more brains
than bodies
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The men's lifestyle magazine market, though not mature in terms of
sales, was splitting into two sub-sectors: the mass-market titles
FHM and Loaded, both with a median age of 23, and more
upmarket titles with older readerships (Arena, GQ, Maxim and
Esquire, with median ages of 24, 25, 25 and 26). In addition there
were niches, based around health, fashion and sport. Several of the
men's titles launched spin-offs, particularly on fashion. Loaded
even took its attitude too far with the short-lived Eat Soup
(Oct 96), a food title.
Viz and Fortean Times publisher
John Brown came up with Bizarre (Mar/Apr 96). The main selling
point of this was a 10-page section of bizarre images and news.
However, the next wave went straight for the jugular in exploiting
the pin-up side of the market. Escape in 1996, from Maxim
publisher Dennis, explored the World-Wide Web in 1996. The first
issue was withdrawn for legal reasons. Jennifer Aniston was on the
cover. Along the same lines, but going further, was the bi-monthly
X-Net in 1997, which came with a CD-Rom and a cover price
of £7.95. It featured the popular pin-up Jo Guest, carried
hundreds of addresses for pornographic websites and claimed sales
of 30,000 for the first issue. It caused a furore in April, to which
its editor, Dominic Handy, responded: "We did not go out to publish
a porn mag, we wanted to publish Loaded for the internet."
Later from IPC, took Loaded's strategy to a 30-plus readership;
and Front from Cabal (Nov 98) carried plenty of cleavage,
boasting a "3D babefest poster". The latter was labelled as "Loaded
for teenagers". This led to criticism, given the semi-pornographic
nature of men's magazines by now. The building society Nationwide
refused to advertise; and supermarkets Sainsbury's and Asda returned
24,000 copies of the launch issue. However, Cabal said the whole
400,000 print run was sold. Men's Quest from Blue Sky Brands
went for older men as its prime readers but failed to achieve the
critical mass needed.
Most launches at this stage were in niche areas. By the end of
1999, the "big three" FHM, Loaded and Maxim,
accounted for about three-quarters of the market by sales value.
Then there were six titles, GQ, Front, Bizarre, Esquire, Later
and Arena, mopping up most of the rest, leaving a dozen or
so titles to fight over about 1% of the market.
The short-lived publishing group Mollin had a strategy of licensing
magazines from the US. It sought a slice of the Men's Health
market with Men's Fitness in July 1996. This had a then-fashionable
monochrome cover with a flourescent orange ink for the masthead.
Its tagline reflected the attitude of the time: ‘Get fit or feel
s**t.’ Mollin folded and the title was taken over by Dennis, though
it has remained a long way behind the market leader. The big publishers
tried to break into the health sub-segment, mainly with spin-offs:
GQ Active, ZM (Aut/Win 98, Paul Colbert, from National Magazines,
whose Cosmo health and beauty spin-off Zest was launched
in Autumn 1994), FHM Bionic and ESQ (Esquire Sports
Quarterly) and US import Men's Journal (Wenner Media).
These met with limited success against Men's Health.
Among those that came and went quickly were Level (April
1999, 4130 Publishing, under Chris Quigley); two US imports Gear
and Bikini.
John Brown Publishing, then owners of Viz and Bizarre
came up with the short-lived Cream ("For men with bottle"
- winter 1998); like Bizarre but with a higher "babe" content.
It carried a 16-page sealed section.
Cabal followed IPC in tackling the "post-Loaded generation" with
Mondo, though like Later, this folded in 2001. In
the same year, Ice appeared from its
eponymous publisher. Its covers were indistinguishable from top-shelf
titles.
Gadgets, a mainstay for the monthlies and supplements, also sparked
launches, some with women draped over
them. These included T3 (Future, Nov 96), Stuff (Dennis,
bi-monthly, Dec96) and Boys Toys (Freestyle, bi-monthly Mar
99).
For men who saw themselves as even more upmarket
of Arena, Wallpaper appeared in London, from Tyler Brule
(Sep/Oct 96). Its Canadian founder sold it to Time Inc in June 97.
Time backed Brule in another launch in 2000. This was Line,
a sports gear fashion magazine. It was notable for having two covers,
one showing a man, the other a woman. However, it did not last long.
He left after Wallpaper was put under the control of IPC,
which AOL-Time Warner had bought in 2001, to concentrate on his
consultancy, Wink Media, and freelance writing, including a column
in the Saturday Financial Times.
The "big three" saw a more upmarket fashion niche as
well, launching Arena Homme Plus, FHM Collections and Loaded
Fashion. These met with limited success.
However, a backlash was starting against the flesh-driven nature
of FHM and Loaded. Nick Logan's
Wagadon was first to react with Deluxe (May 1998). Editor
Andrew Harrison introduced the concept: "Deluxe is here because
a group of people got tired of being told that the same clapped-out
subjects were the be-all and end-all of men's interests. They got
bored of pro-celebrity shark-fishing and Z-list actresses in their
knickers. The world is more interesting, and more complicated, than
all that..." Music was a mainstay of the title and Pulp's Jarvis
Cocker was on the first cover. Unfortunately, the new mix did not
work. Despite a redesign (including a move from stapled to a more
upmarket perfect-bound cover) and a bigger "babe factor" the magazine
failed to work up towards a 150,000 sales target. It closed at issue
8 (jan/Feb 1999) with sales of less than 80,000. The main cover
lines were: "She wants you sex: your girlfriend's filthy fantasies"
and "Mine's a vodka and Red Bull. Davina Murphy will see you now..."
with the semiclad Hollyoaks actress on the cover. Even worse, the
failure of this and its women's magazine Frank was to drain
Wagadon, which sold out to Emap six months later.
And March 1999 saw a line drawn in the sand, at Conde Nast's GQ.
Editor James Brown (ex-Loaded) was sacked after 18 months,
despite a 12% rise in sales, supposedly for featuring Rommel in
a piece on stylish men. The cover theme was "Sex and Violence: Special
issue on men's twin obsessions with 24 pages of erotica". The model
Caprice was photographed for the cover with airbrushed nipple
and wearing nothing but slingbacks and diamond-encrusted handcuffs.
The Guardian quoted a Conde Nast source: "We wanted GQ to
be a mixture of good writing with a bit of sex... Unfortunately,
we had a little too much of the latter and not enough of the former.
It was too downmarket; this was the final straw." Managing director
Nicholas Coleridge said: "James brought energy and humour to the
editorial mix. Unfortunately philosophical differences have arisen."
During his period of enforced rest, Brown became increasingly critical
of men's titles. He accused them of being formulaic, lacking intelligence
and too reliant on pin-ups. At about the same time as Brown was
being shown the door, Ego took up the challenge as a serious
men's magazine (Portfolio, with Marie Sim'one as editor). "Ego has
landed at WHS" read its advertising campaign; unfortunately, it
wasn't able to stay long. However, a model
had landed and stayed the course: Untold. This bi-monthly
was aimed at black men (Jun/Jul 98). Editor Peter Akinti persuaded
government minister Paul Boateng, comedian Lenny Henry, athlete
Linford Christie and designer Ozwald Boateng to model for the first
issue cover.
As the memory of the millennium celebrations faded, so pressures
began to mount on the sector. Early 2001 saw Mondo and Later
close. Cover-mounts and marketing had become increasingly competitive,
particularly between FHM and Loaded. Sales growth
was slowing, and was to turn down. The publishers responded by bribing
readers to keep sales up and maintain their advertising revenues.
“If you haven’t got a cover-mount you are invisible,” said one editor.
Publishers also expressed concern at the selling of magazines in
bulk at cut rates, which were used increasingly to inflate ABC sales
figures.
The press reported a source close to Cabal as criticising the company
for launching Mondo with a print run in excess of 200,000
but without enough promotion. “It should have been launched on a
small, cult level where they just let people discover it,” he said.
The older, supposedly more sophisticated readers seemed to be disappearing.
This was hitting Esquire in particular, which saw its
circulation fall 39 per cent to about 61,000. The title had tried
to maintain a male-only cover policy and had a running battle in
the press with rival GQ over which title was lowering the
tone of the market.
After bemoaning the state of the men's market, James Brown set
up his own company, I Feel Good and launched film magazine Hot
Dog. Then, in 2002, he put his reputation
on the line in launching a men's quarterly, Jack. It took
the A5 ‘handbag’ format popularised by the launch of women's glossy
Glamour. It described itself as ‘an orgy of war, animals,
fashion, genius and cool’ and ‘another great British men’s mag with
lions instead of lager.’ However, it failed to achieve substantial
sales and, with an ABC of about 33,000 copies, IFG was taken over
by Dennis in autumn 2003. Jack was relaunched for its November issue
in a larger, sub-A4, format (176mm wide by 255mm - 8mm wider and
29mm taller). However, this did not work either and Jack
closed innAugust 2004, selling fewer than 40,00 copies.
Later in the year, Nine was launched for
black men. This was "committed to producing an innovative, contentious
and provocative publication". "We are about wine, women and song,"
bringing "some of the hottest black women Britain has to offer".
Another attempt at a more cerebral brand, though one that took
the theme of a pub at its core, was bimonthly Snug
(Nov 2002, Licensed Publishing). The catchline "A haven for drinkers
and thinkers" called readers to this title, which the editor described
as "a magazine from a pub". Its menu of sport, politics, religion,
health, fashion and travel was a refreshing change from the bimbo-infested
launches. Jarvis Cocker was the cover interviewee. However, it lacked
the professional backing to succeed.
Word, which hit the streets in early 2003, oozed professionalism.
Its publishers, Development Hell, included ex-Emap executives David
Hepworth, Jerry Perkins, Mark Ellen and Andrew Harrison. Nick Cave
was on the cover and inside was an interview with Maxim publisher
Felix Dennis. Towards the end of the year, Sour
Mash arrived from a new publisher, Mash Communications, which
was formed by former IPC executives. How well its blend of Viz,
Heat and Loaded would work, only 2004 would tell. Then
in 2004, Sorted was launched aiming at teenage boys. It only
lasted a few issues.
As the table below shows, however, sales over the sector were spread
among a range of titles, the Audit Bureau of Circulations listing
16 titles in the men's sector. FHM had retrenched, but was
way ahead of the rest. The fate of three, The Face, Arena
and Esquire must hang in the balance. The first two had begun
to wilt under the FHM and Loaded onslaught while at
Wagadon and have continued to slide under Emap.
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