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Men's
magazines: an A to Z
Men's magazines, lads magazines, glamour magazines, pin-up magazines
and top-shelf magazines covered alphabetically. This page addresses Razzle to Switched
On via Spick, Span and Razzle. On other pages:
Introduction
- 3D titles to Boys Toys
- Carnival to Cut
- Deluxe to Esquire
- Fable to Front
- The Gentleman's Magazine to The
Humorist
- Ice to London Opinion
- Man to Maxim
- Mayfair to Monkey
- Nine to Playboy
- Razzle to Switched On (this page)
- T3 to Zoo Weekly

Razzle issue
5 in January 1933. It was a large format title (9in x 12in)
Advert on the inside cover of the above issue for News-Chronicle. The cartoon was by HM Bateman
Razzle issue
6 (probably early autumn 1948), plugging its 'Dream Girl - four colour art plate inside'

Razzle issue
47 with 'The brightest cartoons of them all'
Razzle issue
82 in 1955 with Maria Felix on the cover
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Ritz Publishing Co. 1932-1957?
Razzle started out as a large format magazine (9in x 12in). However,
it relaunched itself as a pocket
title in 1935. The company changed its name to 'Ritz Publishing
Co (1935)'. The cover price jumped from 6d to 1/-. This may have
been a reaction to the imminent launch of Men Only. Unlike most magazines, Razzle in its smaller incarnation carried no advertising, relying on its cover price alone for income. The above image of a Razzle gent about to drink from a champagne glass containing a scanttily-clad woman was used on the inside cover of issue 6 (1948) and later migrated to the front cover.
As a pocket magazine, it published
'the brightest cartoons of them all' and introduced a fold-out
colour centre spread of a 'dream girl' by George Davies. Most of
each issue of Razzle was
devoted to cartoons with two or three topless photographs. Colour
was used on the cover and on the centre spread. An article in
issue 16 said the office cat was called
Cleavage.
In the 1950s, the distinctive Razzle graphic was played
down on the cover in favour of black-and-white pin-ups. Issue 97
suggests the threat posed to magazines by television, with the
opening Tittle-Tattle section pondering the advent of the New Year:
And as 1957 limps in we, your humble recorders of the Fourth
Estate are pledged.
"We swear on the things we hold most dear to report only the
truth, the whole truth and nothing but the truth ... as we see
it .. so help us. And can we help it if we suffer from astigmatism?
The editor's decision is final."
Then as one man - which isn't difficult when you're on your own!
- we doff our caps, remove our hands from the pile of expense
sheets and place them palms upwards on RAZZLE. With one accord
we shout: "Death to TV! The spoken word shall never oust the
written word."
The flipside of the single 'Sex and Drugs and Rock and Roll'
by Ian Dury and the Blockheads is 'Razzle in my Pocket' (1977).
The lyrics are about trying to steal a copy of Razzle from
a newsagent (Dury was born in 1942):
'In my yellow jersey, I went out on the nick.
South Street Romford, shopping arcade
Got a Razzle magazine, I never paid...'
The title lives on as a top-shelf magazine published by Paul
Raymond (since 1983).
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Razzle issue
97 (1957). While the front covers evolved, the back covers
stayed consistent, displaying the logo in various spot colours.
The
selling line on this cover was: 'Dream Girl pin-up in full
cover' |
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Razzle issue
97 (1957). Another thing that stayed
consistent was the centre-spread colour pin-up by George Davies.
The centre pages were printed on heavier, glossy paper of a similar
stock to the cover
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Reveille Newspapers/IPC, 1940-1979?
Launched as a weekly tabloid for the armed forced and began publishing
pin-ups from the start. Relaunched in the mid-1970s as New Reveille,
though still as a tabloid newspaper, and later reverted to Reveille. Similar formula to Tit-Bits,
which absorbed it in about 1980. Publishers:
- Reveille Newspapers Ltd, 132 Fleet Street, London EC4; and
- IPC, 127 Stamford Street, London SE1.
IPC profile
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The 'revolutionary consciousness' of Running Man issue 2 was banned

Razzle Kypreos returned in 1969 with a combined issue 3, 4 and 5
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Running Man Publications, 136A Westbourne Terrace, London. Printed by Holders Press, 87 Lambs Conduit St, WC1. 1968-69
Christopher Kypreos, who had been a contributing editor at Penthouse, was editor and publisher of Running Man, which stated its subject matter as 'revolutionary consciousness in terms of the total human condition' and its aim as 'to wage guerrilla warfare on a mass-oriented society'. 'The editors take a considerable risk each time a new issue goes to press,' said an editorial and sure enough the police banned the magazine after the second issue. Kypreos was later acquitted of obscenity charges.
The third issue (116 pages; 15/-) was combined with issues 4 and 5. Contents included:
- Cover photograph by David Larcher, design by Ralph Steadman;
- 'The Magical Mystery Trip.'Timothy Leary on the influence of British writers, philosophers, scientists and musicians on the psychedelic movement); artwork by Michael English;
- 'Haschish hallucinations' reprinted from the Strand (1905);
- Miles on banned books;
- 2-page extract from 'The Digger Papers';
- Black power in Britain;
- the guerrilla poets of Latin America;
- Norman Mailer on the underground film Wild 90 -'the most repetitive persuasive obscenity of any film ever made for public or underground consumption'. 'Existentialism and acting treated by themselves, each without the other, oh sir, that is the original sound of one hand clapping. (You may keep the koan.)';
- David Larcher photo-portfolio of fish-eye nudes;
- photographic montages by Tilo Keil;
- 'The soft machines' by David Mairowitz about computers in films such as Metropolis and 2001.
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Shortlist first issue cover
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20 September 2007-
Free weekly men's magazine. Some 500,000 copies distributed in
British cities, taking a similar tack to free weekly Sport in
London. Headed by former FHM editor Mike Soutar, whose
company Crash
Test Media developed ShortList under the working title Alpha
One.
The backers include Beano publisher DC Thomson. The
title has a website and is available as a digital
magazine using the same Ceros technology as Monkey.
ShortList home page
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Showgirl Glamour Revue first issue cover shows Tommy Trinder, then one of Britain's most popular stars, in an illustration by Stefan Baran
Above, the start of a 3-page feature about Pamela Green, graduate of St Martin's school of art, who found fame as a pin-up model with photographer Harrison Marks. The inside back cover (below) was of 'French glamour model' Rita Landre (in fact Pamela Green in disguise). The giveaway might have been that they're wearing the same belt and both are dressed in nothing but a scarf! The photographer was not credited. Green's Landre character was later an inspiration for Michael Powell's 1960 film Peeping Tom (Green played Milly, a model)


A 'Rita Landre' portrait by Harrison Marks from Fiesta in 1956
Diana Dors on the cover of issue 4. The main cover line was 'Ivy Benson and her amazing all-girl orchestra' and there were 9 full-page pin-ups
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Showgirl Glamour Revue [closed] To top
King-Ganteaume Productions Ltd, 20 Welbeck St, W1. Printed by Samuel Sidders & Sons, 342 Hackney Rd, NW6. 2/-. 36pp. 1955-?
The first issue of this magazine is intriguing and has an air of quality about it. The company behind it were 'publishers of illustrated editions' under managing & art editor M. Ganteaume. The editor was Ralph Coveney with lettering design by Alan Cowling. However, the strap across the bottom reading 'Free! The famous authentic Marilyn Monroe nude calendar!' in fact promoted a competition to win one. Readers do not take kindly to being misled in such ways.
The company later published Television Glamour Review, again with Coveney as editor.
Showgirl Glamour Revue carried a short story ('Understudy' by Robert Thorne), cartoons, Hollywood, music and revue-theatre articles (Pigalle cabaret and Percival Murray's Cabaret Club) and pin-ups, including Diana Dors, British starlets Cleo Rose and Jill Adams, pin-up model Pamela Green, 'French model' Rita Landre (in fact Green in disguise), singer Lorrae Desmond and Tiger Joe Robinson. A 20-year-old Michael Winner wrote a showbusiness gossip column (Winner's World). The back cover carried an advert for Cavalier magazine published by L. Miller & Son. A strip-cartoon was based on the script of the Rank film Mad About Men and its character Caroline Trewella. It was drawn by Peggy Adams.
Green’s character of Rita Landre intrigued director Michael Powell when he was researching his controversial 1960 film Peeping Tom. He borrowed the Parisian set Green had built in which to photograph the character and Green played Milly, a model who is murdered in the film. A three-page article in Showgirl Glamour Review featured Green posing in nothing but a scarf and a belt. In the same issue was a photograph of Green disguised as Landre, in the same belt but a longer scarf. A short article (‘High-powered Rita’) described how Landre was born in France in 1934 to a Dutch mother and Spanish father, who were both circus trapeze artists. Landre had followed in their footsteps at the age of 15 before going on to the Folies Bergère and then becoming a top-line glamour model. The article finishes:
Her one passion in life is our small dumb friends: ‘I’m just mad about animals,’ she says. Down, sir!
The cover was a fine illustration of Tommy 'You Lucky People' Trinder. (He is credited with coining the phrase 'Overpaid, overfed, oversexed and over here' about US troops in Britain during the second world war). A three-page article is based around his return to Britain from touring Australia to play Buttons with Sonya Kaye as Cinders in Claude Langdon's Cinderella on Ice at London's Empress Hall. This dates the undated magazine to 1955.
The writer rebuffs the view in a recent Picture Post that Trinder was out of key with the decade and lost in the 1940s. In fact, Trinder went on to host independent television's Sunday Night at the London Palladium for its first few years from the first week of commercial television in September 1955.
Compare with Spice below |
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Zoo
Sie7e first international edition of men's weekly Zoo
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Focus Ediciones/Emap, August 2005-
The first international edition of Emap's men's weekly Zoo,
launched in Spain. It is published in partnership with Focus Ediciones
(part of Swiss publisher Edipresse), which publishes FHM in
Spain under licence. Weekly Sie7e (Seven) was already on
the shelves but it was re-branded as Zoo Sie7e. The target
circulation for Zoo Sie7e was 100,000 within 18 months
(FHM sold 250,000 copies in Spain).
Emap
profile
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Sky last issue
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News International/Emap, February 1987-2001
Rupert Murdoch's News International magazine division launched
the pan-European youth magazine Sky, in a joint venture
with French group Hachette, led by publisher Peter Jackson.
Sky started out as a fortnightly for 16 to 25-year-olds, but
failed to meet a 200,000 sales target and was cut back to a monthly
in November. Its audience was refined to 18 to 22-year-olds
and was increasingly influenced by the lad's mags in the 1990s.
Murdoch pulled out of magazine publishing, and the Hachette
partnership, which included
Elle, was taken up with Emap, until it was dissolved in
2002. Sky closed in 2001.
Emap
profile
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Licensed Publishing, London, Nov/Dec 2002-?
The catchline 'A haven for drinkers and thinkers' called readers
to this title, which editor Nick Bradshaw described as 'a magazine
from a pub'. Its menu of sport, politics, religion, health,
fashion and travel marked a change from the bimbo-infested launches
of the previous decade. Jarvis Cocker was the cover interviewee.
Snug received backing from the Just Customer Communication
agency.
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So
/ Switched On wanted to be a men's gadget title
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So / Switched
On [closed] Back
to top
Galaxy Publishing. Jan-Apr 2007
Relaunched version of Ice
that tried to become a mainstream men's gadget title but folded after
3 issues.
Switched
On website |
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Sorted for teenage boys lasted just four issues
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Sorted Communications, Brighton. February 2004-May 2004
Monthly for boys aged 12-16. The first issue of Sorted carried
an A1 poster for Whiplash computer games and the film School
of Rock. The editor was Martin Klipp. Sorted closed after
just four issues. The fifth issue, featuring a cover interiew
with David Beckham, was at the printers.
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Mash Communications, High Wycombe, Bucks. November 2003-?
Described in the trade press as a men's magazine aiming to be a
cross between Private Eye, early Loaded and Viz,
the launch issue of Sour Mash felt more like a cross between Viz and
Heat.
The company was founded by four ex-IPC executives:
Andy McDuff, Alan Lewis, Nick Taylor and Mark Jones. Johnny Sharp
was the editor. The FT's Creative Business magazine quoted
McDuff (who was head of men's division when Loaded launched)
criticising the 'super tanker mentality' of IPC and Emap : 'IPC
would never launch Sour Mash. It's too radical, too
small and doesn't meet any portfolio strategy." (Four
Emap executives had launched a similar breakaway company to
launch Word.)
Best visual joke: acerbic writer Julie Burchill - who established
her reputation in the punk era at IPC's NME - digitally
enhanced to look like Winston Churchill. Print run of 60,000;
expecting to sell 50,000 of first issue. Sour Mash needed
to sell 25,000 copies a month to break even, but it failed. |
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Joya
Radcliffe was the cover girl for the first isue of Span in 1954.
She was the assistant to a US clown called Go-Go, who was featured
in a 6-page photo shoot

Span
from 1958

Span in
1962 with Joan Collins on the cover
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Town & Country Pubs (SoCo), Croydon, Surrey. September 1954-Oct
1976
Editor and manager: R.T. Staples. Advertising: JDW Hancock. Pocket
pin-up magazine.
The first issue of Span featured:
- 10-pages on the Can-Can Girls (Which came first - Knees Up
Mother Brown or the Can-Can?);
- a 6-page photo shoot about a US
clown called Go-Go and his assistant Joya Radcliffe (who was on
the cover);
- a leggy, eight-page ‘Funfair
frolics’ piece
based around Shirley Ann Field and Sally Edgar-Lee.
- a
Joan Collins pin-up.
Span was mono throughout apart
from the use of spot colour on the cover. Spick
and Span joined together to produce specials
in summer and winter.
SoCo - as the men's magazine publisher
has become known - also published Fanfare and 66.
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MGM
actor, Van Johnson was on the cover of Spice with
the Revudeville featured on the centre spread
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Spice Magazine, 29 Tolmers Rd, Cuffley, Herts. August 1946-?
The cover of this pocket format men's magazine showed an MGM
actor, Van Johnson. The contents were listed as: stories, fashions,
sketches, radio, photographs, fun and films. It included an
article on women's fashion in Hollywood, again using studio
shots. The centre pages were devoted to an advert for Vivian
van Damm's 'Revudeville' at the Windmill Theatre (in its 15th
year). Strangely, the inside front cover carried a statement:
'In order that our readers may be given the maximum amount
of good reading material, consistent with the supply of paper
at our disposal [wartime rationing will still have been in
force], all advertising material has been excluded from this,
the instroductory issue of SPICE.' Note also the odd use of
spot colour. Very strange.
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Spick from
1957 (issue 40)
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Town & Country Pubs (SoCo), Croydon, Surrey. December 1953-May
1971?
Spick was a UK pocket pin-up magazine that came out at
the same time as Playboy
in the US. Aimed at a very different audience, with
its content based on 'girl next door' photographs. Film stars
were featured in SoCo's other titles Span (above)
and 66.
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Subject first
issue cover with the page 3 response below

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Stable Publications, London. March 2001-?
Men's lifestyle magazine edited by Ross Cotttingham. Lacked the sophistication
in presentation - and undoubtedly the budget - to compete in a cut-throat market.
Subject tried a more thoughtful approach, as demonstrated by the cover statement,
'The first rule of men's lifesytle magazines is ... you must have sex opn the
cover', which was questioned
on page 3: 'Must you have sex on the cover? Subject: question everything.'
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